Quentin Crisp, Queen of the Birds: On Queerness, Repetition, and Style (2024)

Style: A Queer Cosmology

Taylor Black

Published:

2023

Online ISBN:

9781479825028

Print ISBN:

9781479824991

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Style: A Queer Cosmology

Taylor Black

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Taylor Black

Taylor Black

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Pages

33–58

  • Published:

    October 2023

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Black, Taylor, 'Quentin Crisp, Queen of the Birds: On Queerness, Repetition, and Style', Style: A Queer Cosmology (New York, NY, 2023; online edn, NYU Press Scholarship Online, 23 May 2024), https://doi.org/10.18574/nyu/9781479825028.003.0005, accessed 29 May 2024.

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Abstract

This chapter reintroduces Quentin Crisp to the world. Born in England in 1908 but always feeling like an American at heart, Crisp made the most of his latter-day acclaim by moving to New York City in 1979, where he spent his final decades as one of the many eccentrics enjoying their fifteen minutes of Warholian fame. In New York, Crisp became himself and perfected his philosophy of style. He went to art openings, attended parties, appeared on television, and wrote books advancing his theory of style. Here he describes his life as an effeminate man born, he thought, in the wrong place and time, and his eventual recognition of style as a kind of survival strategy. Crisp’s theory of style is that it is an alternative to identity and a path to self-preservation—a way of being and exaggerating your personality rather than be held accountable for it by an angry mob. Whereas identity is given to us from without, one may achieve a sense of personal style from within, becoming more like ourselves by becoming stylists.

Keywords: Queer Theory, Performance Studies, American Studies, style, Quentin Crisp

Subject

Cultural Studies

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